That was done using an optical system called Hypergonar, which compressed the image laterally when the film was being shot, and dilated it when the film was projected. Chrétien's process used lenses that employed an optical trick, which produced an image twice as wide as those that were being produced with conventional lenses. It was that process which later formed the basis of CinemaScope. Bausch & Lomb won a 1954 Oscar for its development of the CinemaScope lens.įrench inventor Henri Chrétien developed and patented a new film process that he called Anamorphoscope in 1926. In film-industry jargon, the shortened form, ' Scope, is still widely used by both filmmakers and projectionists, although today it generally refers to any 2.35:1, 2.39:1, 2.40:1, or 2.55:1 presentation or, sometimes, the use of anamorphic lensing or projection in general. Although the technology behind the CinemaScope lens system was made obsolete by later developments, primarily advanced by Panavision, CinemaScope's anamorphic format has continued to this day. Skouras, the president of 20th Century Fox, marked the beginning of the modern anamorphic format in both principal 2.55:1, almost twice as wide as the previously common Academy format's 1.37:1 ratio.
#Cinescope godzilla series#
A 40 crores approx lifetime looks very much achievable for it right now.CinemaScope logo from The High and the Mighty (1954).ĬinemaScope is an anamorphic lens series used, from 1953 to 1967, and less often later, for shooting widescreen films that, crucially, could be screened in theatres using existing equipment, albeit with a lens adapter. But that will depend on a lot of factors. The Warner Bros’ Monster Film has good chances to be 1st Hollywood film to touch 50 crores mark in India post lockdown. However, after that, there’s no major release in April until Thalaivi & Bunty Aur Babli 2 on April 23. Godzilla vs Kong has got a wide release in India but it may get some competition from the new Hindi release, Saina this Friday. The Southern cities have also performed well in the morning shows. The film has received an amazing response in 4DX format something that was visible even in the advance booking trends. The initial reports in fact suggest that it may have a better Day 1 total in India compared to Roohi and Mumbai Saga.
Godzilla Vs Kong has taken a good start at the box office considering the time it has released in. Godzilla Vs Kong Box Office Review: Final Verdict Many of the people who will watch Godzilla vs Kong in theatres will like to watch it in cinemas twice or even thrice. The background score and music gave the audience a high of another level altogether. It was a 4DX setup so the charm of the film got doubled and the experience was totally immersive.
Now the content packaging is exciting enough but the makers want to treat the audience with next-level entertainment. The Godzilla and Kong face-off is also exciting and the ending is pretty satisfying. The whole sequence is so visually appealing. Watch the post-interval scene when they take Kong to the hollow earth. There are several scenes in the film which will totally blow your mind and each of them is more valuable than the ticket price. The last time it happened was for the January release, Master starring Thalapathy Vijay & Vijay Sethupathi. But I’d say that post-lockdown, this is only the second film which I’ve watched in an almost Housefull cinema hall.
#Cinescope godzilla movie#
I won’t go into the technical and script details of the film because that’s what has been covered in our movie review already. The grandeur, the larger than life characters (two biggest monsters on one screen), the background score, everything about the film feels like a pat on the back of cinema lovers who desperately waited for the big screen entertainment to come back. As the first scene of this Warner Bros’ latest biggie rolls on the big screen, you feel lucky to have survived the pandemic. Godzilla Vs Kong Box Office Review: ImpactĪs you would imagine after watching the trailer, Godzilla vs Kong is a Dhamaakedaar entertainer. The response to the film, in this case, may not be in burst mode but slowly depending on the audience’s convenience. On one side there’s the pandemic and on the other, many students are either busy with exams or their preparations. However, these are troubled times in which the film is releasing.
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